I think this is like that 5 questions meme that was going around (was it 5?), but this is in response to the Interviewer meme that I volunteered for. And check out the recent profiles about this year's Supporting Actress crop. They're really good.
Question 1
If your "day job" was a blog, what would it be called and what would we see on it?
www.movieposters.com. There probably is one. And you’d see a lot of movie ad materials. That’s as deep as I want to get with that one. I have a much more flip answer, but I’ll keep that to myself.
Question 2
Cribbing from mrpeenee: What do you consider Oscar's biggest all-time f*ck up in choosing a winner? Please be certain to justify your answer with scathing detail. Alternately/Additionally: What about this year's nominations? What do you consider Oscar's biggest mistake there?
That’s hard to pick. I am reminded of Judy Garland being passed over for A Star is Born; Marisa Tomei, who I think is great, but still surprises me in that particular win; Jennifer Connolly who I think acts with her hair. But probably for me the biggest oops, besides Guilietta Masina not even being nominated for Nights of Cabiria (!) is Gloria Swanson losing the Oscar for Sunset Boulevard. I mean, I like Judy Holiday, but really? Srsly? In Born Yesterday? Compared to the amazing work Swanson did, not only in front of but behind the camera. It’s one of the most thrilling, terrifying, fascinating performance ever committed to film. Indelible. Intelligent. Brilliant. Disturbing. Probably the best dramatization of the off-the-rails fantasizing and self-deception in the history of cinema, and her triumph is that even though she’s a complete loon you see how Joe was pulled in and it all makes complete sense. Not easy. I recently saw it on a big screen again, and it still works. It’s breathtaking, like watching a tightrope walker at times, and it’s all in her eyes. It’s a master class in film acting—how to be enormous but still not too big. And that she used her own films in it? Amazing. And she was all of 50 or something at the time. Can you imagine Meg Ryan trying to pull that off? It’s one of the most egregious errors in the history of the Oscars, and it was probably all politics.
This year’s nominees? I’m out of it this year—maybe it’s fatigue. I’m still annoyed about 4 months, three weeks, and two days being passed over last year. And Brokeback the year before that. Ugh. I’m not feeling Philip Seymour Hoffman for Doubt, really. I think Emile Hirsch should’ve been nominated, since I didn’t even recognize him. Or James Franco. PSH kinda yelled a lot, and I missed what his possible guilt was—threw off the piece for me. I like him a lot, unlike some people, but I just didn’t love him in Doubt. I didn’t see In Bruges, or Elegy, both of which I heard had amazing perfs. Sam Rockwell scared the bejesus out of me in Snow Angels, but that was released in March, and the Academy seems to be stretched to remember past October. Penelope was lucky they remembered her from the summer. I do think Mickey Rourke was good in the Wrestler, but I get the feeling that it’s a big ego who’s living in past glory playing a big ego living in past glory. Gory as well. I don’t know the guy, so I could be wrong, but I don’t feel like I’d give him the award. Not up to me, though.
Question 3
In case you haven't noticed, I'm somewhat fixated on supporting actresses. Who's your favorite supporting actress of all time? And if you could, which performance would you compel StinkyLulu to profile?
I have a big soft spot for Dianne Weist in Hannah and Her Sisters. In fact, I would LOVE it if Stinkylulu would profile that performance, knowing what a special place that holds for both of us, I believe. And I do love her as a supporting actress, once again affirmed in Synechdoche, NY.
Question 4
As noted in Question 3, StinkyLulu has become somewhat obsessive about one category of the Academy Awards. If you were to do the same -- take one category and train the focus of your blog on it -- what category might you choose? (NOTE: Your category might be an actual category, or one of your invention.)
Unsung character actors/actresses. Along the lines of Margo Martindale, Celia Weston, Anne Wedgeworth and the like.
Question 5
What's your favorite thing about your blog? What's your favorite thing about mine?
About mine? I guess I’m just glad it’s an outlet when I choose to use it.
Yours? How articulate and precise the writing is. And the screencaps.
If you'd like me to interview you, let me know in comments. I find you fascinating.
Question 1
If your "day job" was a blog, what would it be called and what would we see on it?
www.movieposters.com. There probably is one. And you’d see a lot of movie ad materials. That’s as deep as I want to get with that one. I have a much more flip answer, but I’ll keep that to myself.
Question 2
Cribbing from mrpeenee: What do you consider Oscar's biggest all-time f*ck up in choosing a winner? Please be certain to justify your answer with scathing detail. Alternately/Additionally: What about this year's nominations? What do you consider Oscar's biggest mistake there?
That’s hard to pick. I am reminded of Judy Garland being passed over for A Star is Born; Marisa Tomei, who I think is great, but still surprises me in that particular win; Jennifer Connolly who I think acts with her hair. But probably for me the biggest oops, besides Guilietta Masina not even being nominated for Nights of Cabiria (!) is Gloria Swanson losing the Oscar for Sunset Boulevard. I mean, I like Judy Holiday, but really? Srsly? In Born Yesterday? Compared to the amazing work Swanson did, not only in front of but behind the camera. It’s one of the most thrilling, terrifying, fascinating performance ever committed to film. Indelible. Intelligent. Brilliant. Disturbing. Probably the best dramatization of the off-the-rails fantasizing and self-deception in the history of cinema, and her triumph is that even though she’s a complete loon you see how Joe was pulled in and it all makes complete sense. Not easy. I recently saw it on a big screen again, and it still works. It’s breathtaking, like watching a tightrope walker at times, and it’s all in her eyes. It’s a master class in film acting—how to be enormous but still not too big. And that she used her own films in it? Amazing. And she was all of 50 or something at the time. Can you imagine Meg Ryan trying to pull that off? It’s one of the most egregious errors in the history of the Oscars, and it was probably all politics.
This year’s nominees? I’m out of it this year—maybe it’s fatigue. I’m still annoyed about 4 months, three weeks, and two days being passed over last year. And Brokeback the year before that. Ugh. I’m not feeling Philip Seymour Hoffman for Doubt, really. I think Emile Hirsch should’ve been nominated, since I didn’t even recognize him. Or James Franco. PSH kinda yelled a lot, and I missed what his possible guilt was—threw off the piece for me. I like him a lot, unlike some people, but I just didn’t love him in Doubt. I didn’t see In Bruges, or Elegy, both of which I heard had amazing perfs. Sam Rockwell scared the bejesus out of me in Snow Angels, but that was released in March, and the Academy seems to be stretched to remember past October. Penelope was lucky they remembered her from the summer. I do think Mickey Rourke was good in the Wrestler, but I get the feeling that it’s a big ego who’s living in past glory playing a big ego living in past glory. Gory as well. I don’t know the guy, so I could be wrong, but I don’t feel like I’d give him the award. Not up to me, though.
Question 3
In case you haven't noticed, I'm somewhat fixated on supporting actresses. Who's your favorite supporting actress of all time? And if you could, which performance would you compel StinkyLulu to profile?
I have a big soft spot for Dianne Weist in Hannah and Her Sisters. In fact, I would LOVE it if Stinkylulu would profile that performance, knowing what a special place that holds for both of us, I believe. And I do love her as a supporting actress, once again affirmed in Synechdoche, NY.
Question 4
As noted in Question 3, StinkyLulu has become somewhat obsessive about one category of the Academy Awards. If you were to do the same -- take one category and train the focus of your blog on it -- what category might you choose? (NOTE: Your category might be an actual category, or one of your invention.)
Unsung character actors/actresses. Along the lines of Margo Martindale, Celia Weston, Anne Wedgeworth and the like.
Question 5
What's your favorite thing about your blog? What's your favorite thing about mine?
About mine? I guess I’m just glad it’s an outlet when I choose to use it.
Yours? How articulate and precise the writing is. And the screencaps.
If you'd like me to interview you, let me know in comments. I find you fascinating.